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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Oh Canada: Proud @Finborough #Proudtheplay


The former Prime Minister of Canada Stephen Harper is the subject of Proud currently playing at The Finborough. It asks what havoc he would have wrecked if he won a larger majority in 2011?

Written by Michael Healey in 2011, it suggests a nightmare situation of a petty-minded leader who uses whatever means possible to achieve his vision. A small-minded vision focused on making the government just a little smaller than it currently. And of course annoying the Canadian Liberal establishment.

Viewing it from the United Kingdom with our shambolic political system, you may be tempted however to think Canadians never had it so good.


After his election in 2011, it must have felt that Harper had consolidated his power. But even political satire can be overtaken by events. Justin Trudeau and the Liberal Party in 2015 defeated Harper. There appeared to be a collective sigh of relief that a man who used tactics of fear and division was out of office.

Here Harper (just called the Prime Minister) is made much more likable with a strong performance by Nicholas Cass-Beggs. He is a bit like a kid in candy store trying to put in place his little vision to end big government. And with a larger majority than anyone expected he has more power than he knows what to deal with. But newly elected conservative representative Lyth (Emily Head) turns out to be his match.

He gets her to promote a private members bill on abortion to distract attention from his other government reforms. At first she seems naive about government but as the play progresses and the two spar about politics and ideas, or is it just about sex? Head has all the best lines and exudes sexual freedom. But she also displays a vulnerability a single parent.

Rounding out the cast is Jude Monk McGowan as Baines the Prime Minister’s Chief of Staff and Will Firth as Jake, Lyth’s son when grown up, running as an independent candidate.

But all of this appears quaint compared to the post-truth politics of Britain and the United States. Even the worst excesses of Canada seem tame: stacking the upper chamber, private members bills to distract the media from other government business. Here in the United Kingdom we have an equally shambolic House of Lords. There are endless enquiries and parliamentary committees to distract attention and bury bad news. And not forgetting a news media that never knowingly is fair and balanced.

Democracy may be depressing but here the pacing is kept brisk under Jonny Kelly's direction. In the end you can’t help feeling envious of Canada even if you don’t know much about their politics other than the core appeal of Justin Trudeau.

Proud runs at the Finborough Theatre as part of its Sunday to Tuesday production and concludes this week on 2 August.

⭐︎⭐︎⭐︎⭐︎

Photo credit: production photos by Venus Raven


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