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Eyes, hair, mouth: Darkie Armo Girl at Finborough Theatre

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Darkie Armo Girl, Karine Bedrossian’s electrifying one-woman show, commands attention from the moment it begins. First performed in 2022 and revived last year, it now returns for extra performance and it's an event not to miss. The show takes you through the thrills and horrors of a hectic life. She struts, shimmies, and taunts while revealing some horrific truths. She is such an irresistible storyteller that you find yourself hooked. The story is one of fame, glamour, abuse, self-harm, and suicide. If that subject matter doesn't sound like your cup of tea, you haven't seen it delivered with such high energy and provocation. It's currently at the Finborough Theatre . The show's title refers to a slur a popular girl at school once called her. Her ancestry is Armenian, and her parents were from Cyprus, where they fled the civil war and arrived in the UK with nothing. Shortly after she was born in Roehampton. The birth was an emergency C-section that left the baby and ...

The Corsican Job: Sublime @Tristanbates

With Sublime, the premise of a new heist drama and a promise of it being a provocative play is hard to resist. Its short run at the Tristan Bates Theatre has ended but there were some things to admire about the piece by by Sarah Thomas.

The story is that the heistess, Sophie, is back in town. And she's got one week to pull off three jobs to pay back the Corsicans. It's assumed knowledge that you don't want to fuck with the Corsicans. But if you have been to Corsica you probably will understand that immediately.

She enlists her brother Sam to help her. But Sam is trying to lead a straight and boring life with his mousy new girlfriend Clara (Suzy Gill). But there is so much sexual chemistry between the two you begin to wonder what sort of siblings they are.


As Sophie and Sam, Adele Oni and Michael Fatogun  keep your interest aroused in this piece. Their sexy performances and provocative banter make for a sultry evening. It is only diminished by the endless subplots and twists, and a few superfluous characters.

The heists don't happen onstage so we're left to assume they're a piece of cake. Not much of the dialogue centres around the planning of them either. This  seems curious given the characters are supposed to be some great up and coming criminal masterminds.

Directed by Ben SantaMaria (who also had a role in script development), Sublime is is Thomas's first play and the short run will hopefully give the piece more focus. Somewhere amongst all the material there is a 90 minute play there that I would like to see...

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