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Eyes, hair, mouth: Darkie Armo Girl at Finborough Theatre

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Darkie Armo Girl, Karine Bedrossian’s electrifying one-woman show, commands attention from the moment it begins. First performed in 2022 and revived last year, it now returns for extra performance and it's an event not to miss. The show takes you through the thrills and horrors of a hectic life. She struts, shimmies, and taunts while revealing some horrific truths. She is such an irresistible storyteller that you find yourself hooked. The story is one of fame, glamour, abuse, self-harm, and suicide. If that subject matter doesn't sound like your cup of tea, you haven't seen it delivered with such high energy and provocation. It's currently at the Finborough Theatre . The show's title refers to a slur a popular girl at school once called her. Her ancestry is Armenian, and her parents were from Cyprus, where they fled the civil war and arrived in the UK with nothing. Shortly after she was born in Roehampton. The birth was an emergency C-section that left the baby and ...

Gender whatevers: Rotterdam @artstheatreLDN @RotterdamPlay


The years have been kind to Jon Brittain's Rotterdam. Since its first outing in 2015 the awareness about transgender issues has grown. Whether it is from Caitlyn Jenner or gender-neutral toilets at the Barbican, it's topical and thought-provoking.

And following its win at the 2017 Oliver Awards and a run off-Broadway, Rotterdam is back in London. After catching it again it's great to report that it still feels as funny and bitter-sweet as ever. And don't call it a lesbian-transgender-whatever comedy. That would be too binary to give it a label. It's just complicated and that's probably what gives the show its brilliance.


The play opens with Alice (Alice McCarthy) sitting nervously with her laptop. Her partner Fiona (Anna Martine Freeman) is pacing about. They have been living together in Rotterdam for some years.  Alice is about to email her parents to tell them she's gay. But as she is about to send the email, Fiona tells her that she thinks she needs to transition to a man. A man called Adrian.

And so begins the leap into the unknown as both Alice and Fiona explore what it means for each of them. For Alice she spends more time with her flirty young Dutch colleague Lelani (Ellie Morris). For Adrian, he finds support from his brother Josh (Ed Eales-White).

It feels even more slick and polished this time around. The cast bring out the humour, the uncertainties and the anguish of the work. And it's transferred well from the smaller theatre spaces of Theatre 503 and Trafalgar Studios. There is a larger audience to appreciate the laughs but without losing the human scale of the piece.


There's also a fantastic choice of songs accompanying the play that underscore the emotions.  It will have you wishing they were selling copies of the soundtrack in the foyer.

Directed Donnacadh O’Briain, Rotterdam is at the Arts Theatre until 15 July. The Arts Theatre is air conditioned... The toilets aren't binary either...

⭐︎⭐︎⭐︎⭐︎

As I remember from my first impressions Audioboom back in 2015 with @Johnnyfoxlondon, it still makes me want to visit Rotterdam too...


Photos by Hunter Canning

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