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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

The Will Young show: Strictly Ballroom @TeamPiccadilly

Love is in the air in Strictly Ballroom, currently playing at The Piccadilly Theatre. It’s the musical based on Baz Luhrmann’s 1992 movie about a boy daring to dance his own steps in the cut-throat world of amateur ballroom dancing. The movie was full of irony and light-heartedness with its corny follow your heart and ugly duckling storylines. Here the musicalisation hits this message over your head as if you’re watching the fall of communism.
Jonny Labey and Zizi Strallen in the lead roles as the unlikely dance couple give the show style and pizazz. He’s a rebel, she’s an ugly duckling. There is also a thrilling paso doble dance sequence to close the first act. They even get to sing two lines and sound terriffic.

But the show is superfluously narrated by Will Young. He’s also the band leader singing all the songs. While this isn’t necessarily a bad idea, here it gives the impression you’re watching the Will Young musical. And often his light vocals are lost in the theatre. The decision to over-amplify everything also makes it sound as if you’re listening to karaoke.

The show builds up to the competition finale. Will the hero follow his heart and dance his own steps? It’s hard to tell since it’s all squandered by a cheesy finale that doesn’t even involve Labey and Strallen. They just stand at the back watching. Perplexed like the rest of us. In the end you might be on your feet dancing. But not sure why.

Directed and choreographed by Drew McOnie, Strictly Ballroom is at the Piccadilly Theatre until 20 October 

⭐️⭐️⭐️

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