Featured Post

Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

Image
It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Perma-austerity: Killymuck and Box Clever @bunkertheatreuk


The Bunker is currently presenting a double bill of what life is like for women in Britain with less opportunity. The two monologues chart growing up in different eras of inequality. But both are gripping as they mix anger, evocative storytelling and humour in equal measure. They're terrific pieces of writing with strong performances.

First up is Killymuck, written by Kat Woods. Niamh (Aoife Lennon) is living on a housing estate that was the site of a paupers graveyard in 1970s Northern Ireland. Locals think the estate is cursed. But there are plenty of real-life causes to her problems. Her mum is surviving on benefits. Her dad suffers from alcoholism. Teachers at school are only too keen to discriminate, even if she is clever. And violence is never far away.

There's salvation with the occasional babysitting job. Particularly with the neighbour when she's out turning tricks as she pays better than anyone.


Lennon conveys the passion, anger and humour of Wood's text. It's part performance and part argument about how little support  Northern Ireland receives. Particularly as a post-conflict society where mental health issues and suicide remain high. It's passionate and convincing throughout.


After the interval, we meet Marnie (Redd Lily Roche) in Box Clever. She's fled to a woman's refuge in present-day London with her young daughter. Her boyfriend just broke her nose. Dripping blood, writer Monsay Whitney isn't interested in making Marnie a horror story. Soon the audience is in hysterics hearing about her life and the men in it. But with social services stretched to breaking point, a series of events will soon envelop and suffocate her.

Roche deftly handles the comic and horror moments of the piece and is engaging throughout. The final moments where she turns to the audience asking "what do I do?" seem all too desperately real. Her young daughter, depicted using a balloon, underscores the fragile state of her world.


Provocative and exciting new writing at The Bunker. Killymuck is directed by Caitriona Shoobridge. Box Clever is directed by Stef O'Driscoll. The double bill alternates on various nights and is at The Bunker until 13 April.

⭐️⭐️⭐️⭐️

Photos by Craig Sugden

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre