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Eyes, hair, mouth: Darkie Armo Girl at Finborough Theatre

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Darkie Armo Girl, Karine Bedrossian’s electrifying one-woman show, commands attention from the moment it begins. First performed in 2022 and revived last year, it now returns for extra performance and it's an event not to miss. The show takes you through the thrills and horrors of a hectic life. She struts, shimmies, and taunts while revealing some horrific truths. She is such an irresistible storyteller that you find yourself hooked. The story is one of fame, glamour, abuse, self-harm, and suicide. If that subject matter doesn't sound like your cup of tea, you haven't seen it delivered with such high energy and provocation. It's currently at the Finborough Theatre . The show's title refers to a slur a popular girl at school once called her. Her ancestry is Armenian, and her parents were from Cyprus, where they fled the civil war and arrived in the UK with nothing. Shortly after she was born in Roehampton. The birth was an emergency C-section that left the baby and ...

Songs and dancing: Three / 8:38 / Seven @WiltonMusicHall



It was meant to be ballet with songs. But instead after the cancelling of the original programming of Seven Deadly Sins, it became songs and a little bit of choreography. But with its beautiful singing and a chance to see a new dance piece choreographed by Javier De Frutos, Three / 8:38 / Seven shows that simple (although unplanned) premises can make a for a great evening of entertainment. It’s currently at Wiltons Music Hall.

The programme opens with “Three”, representing songs from Kurt Weil and Bertolt Brecht’s Threepenny Opera. Beginning with the overture, it sets the mood for the period of Weimar Berlin. It might help to understand the time and context of the piece, but by the time we’re into the Pimp’s Ballad and Mack The Knife (arguably Weil’s biggest hit) it probably doesn’t matter.


Next up is the dance piece, 8:38 performed by Viviana Durante and Mbulelo Ndabeni, set to music by Bach and Weil, ending with Lotte Lenya’s version of September Song. As the two dance in synchronicity, the song takes on additional meaning about making the most of the time you have.

Closing the evening is Seven, which is a concert staging of Weil’s Seven Deadly Sins. It’s well sung, especially by Wendy Dawn Thompson as the role of Anna. And without the other Anna as the dancer, it reinforces the argument that the two characters are one and the same.

And although I missed the other dancing Anna, it’s still an excellent evening showcasing the music of Kurt Weil and the performers.  Three / 8:38 / Seven is at Wilton’s Music Hall until 18 May.

⭐️⭐️⭐️⭐️

Photos by David Scheinmann

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