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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Jerry’s Children: Showtune @TheUniontheatre


An evening of songs by composer Jerry Herman weaved into a song cycle about the excitement of being on stage, or anywhere for that matter is an unexpected joy. Particularly when it's sung by a young and energetic cast. It's currently playing at the Union Theatre.

It's been over thirty years since an original Jerry Herman musical has been on stage. That none of the cast were born when these songs were written probably isn't lost on the audience. But Herman's work remains almost a regular feature of the West End as Andrew Lloyd Webber's Evita or Joseph. Recent years have seen La Cage Aux Folles, Hello Dolly! Or Mack and Mabel. 


For a period from the sixties through to the early eighties, Jerry Herman wrote musicals that helped define the idea of what a musical show should be. Emotional, funny and always tuneful.  Now there's a chance for a new generation of musical theatre graduates to take on his work. With the young cast of ten performers assembled, the optimistic spirit of Herman's songs comes to the fore. When they're all on stage, they pack a strong musical and rhythmic punch. But there are also some insightful moments of tenderness, such as the interpretation by Aidan Cutler and Alex Burns of the song "I Won't Send Roses". 

At the piano music director Henry Brennan keeps things moving at pace and gives the show a big sound.  

The progression of the songs suggests that the songs follow the on-stage off-stage drama of the performers. It's staged as if it's set in an Am-dram theatre, but the production could have benefited from a decluttering exercise. The stage looks like the entire contents of the backstage dressing rooms were dumped there. 

Still, as an opportunity to take in a fresh perspective on the words and music of Jerry Herman, and possibly a chance to see a few future stars, this show is a treat. 

Directed by Luke Byrne, Showtune is at the Union Theatre until August 24. 

⭐️⭐️⭐️⭐️




Photos by Jamie Scott-Smith

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