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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Grief and fluff: Tiger @OmnibusTheatre


Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre. It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next. 

We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet. 


Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking slightly odd dressed in an orange suit and a long tail, she bonds instantly and asks him to move it without discussing it further with Oli. They're unsure what his name is, so they give him the name of Tiger. Tiger is full of optimism, endless facts, and knock-knock jokes. Some of them are funny (at least to some audience members the night I saw it, who let out loud chuckles after them). 

But the simple forays into silliness may be concealing and delaying facing some harsher realities. And soon, Alice's plight, her struggle with loss and her mental health come to the fore. 

Joe Eyre's play tackles the subject of mental health and grief with a playfulness and light touch. And while perhaps a little long, the cast also gives this piece a compelling human touch with their sensitive and often comic portrayals.  

It's a simple production set in the traverse, with a fluffy-looking stage that had me initially mistake the characters for furries. There's more to it than that, but you should beware of the floating polyester kicked up as the actors move across it if you're sitting in the front row. Nobody needs to be eating that sort of thing. 

Directed by Myles O'Gorman, Tiger continues at Omnibus Theatre until 2 December. 

⭐️⭐️⭐️⭐️



Photos by Harry Elletson

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