Featured Post

Eyes, hair, mouth: Darkie Armo Girl at Finborough Theatre

Image
Darkie Armo Girl, Karine Bedrossian’s electrifying one-woman show, commands attention from the moment it begins. First performed in 2022 and revived last year, it now returns for extra performance and it's an event not to miss. The show takes you through the thrills and horrors of a hectic life. She struts, shimmies, and taunts while revealing some horrific truths. She is such an irresistible storyteller that you find yourself hooked. The story is one of fame, glamour, abuse, self-harm, and suicide. If that subject matter doesn't sound like your cup of tea, you haven't seen it delivered with such high energy and provocation. It's currently at the Finborough Theatre . The show's title refers to a slur a popular girl at school once called her. Her ancestry is Armenian, and her parents were from Cyprus, where they fled the civil war and arrived in the UK with nothing. Shortly after she was born in Roehampton. The birth was an emergency C-section that left the baby and ...

Lonely Town: The Lonely Londoners @JSTheatre


Sam Selvon’s novel about the Windrush generation comes to vivid life in this flashy adaptation by Roy Williams—the hustle and the struggle contrast with the exuberant joy and acclamation of life in the city. Lights flash, feet dance, and pigeons get strangled...  for food. It’s an hour and forty-five minutes that doesn’t let up, and it is currently playing at the Jermyn Street Theatre. 

Set in 1956 London, we meet Henry “Sir Galahad” Oliver (Romario Simpson). He is in a hurry to start a new life in London and seeks out Moses Aloetta (Gamba Cole) to help him get started. Only to find that Moses and his friends have become disillusioned with city life and don’t share his enthusiasm. The fights, the petty discrimination, and the lack of job offers make it an endless struggle. And it’s fascinating to see the transformation of Simpson as he gets worn down by the endless setbacks. 


It’s a simple yet stylish production, with the cast remaining onstage with a black wall. Elliot Griggs’ lighting serves to give the vibrancy of the city, underscore the drama and spell out the various postcodes as they move about London.

The simple staging allows the focus to be on the finely drawn characters. The ensemble brings them to life and makes them storytellers, witnesses to injustice, and celebrators of the rich life of living in London.

Events move at a clip, and while violence and discrimination are always nearby, there is also humour and warmth that comes through as the men bond and create their sense of family and place. By the time the piece ends, the discussion about leaving London is brief. After all, despite the odds, they have made a life here and created something out of nothing. 

Directed by Ebenezer Bamgboye, The Lonely Londoners is at the Jermyn Street Theatre until 5 March.

⭐️⭐️⭐️⭐️



Photos by Alex Brenner

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...