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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...
Theatre: Death of a Salesman

Caught the 1999 Broadway production of Arthur Miller's Death of a Salesman last night. Its been playing at the West End for a few months now and it was well worth going to see it. I had read the play at school, seen a film version of it, and perservered through an amateur production of it, but seeing this was something else.

Brian Dennehy from the Broadway production was starring as Willy Loman (he also featured in such classic movies of the 1980s as Cocoon and Legal Eagles) but just as fantastic were the rest of the cast - especially Clare Higgins as the wife. Watching this play on stage you realise what an emotional wallop this gives you. It gradually builds and builds setting the scene in the first act, hinting at hope and an optimistic future along the way but by half way through the second act you can see Willy Loman's life unraveling into a horrible mess, and you watch him go all the way downhill.

There were other little touches in this production that made it such an eye opener. The production kept things brisk as well with a revolving stage and set that helped underscore the madness and weariness of Loman. Characters in his mind and in reality walk on and move off as they appear in his head. Dennehy throughout the play wears the same suit... It seems slightly ill-fitting and creased so Loman looks tired, worn out and obsolete. The office where Loman is fired is small and claustrophobic... They all added to this production...

Leaving the theatre you couldn't exactly say it was something to enjoy but it was something to admire. More than fifty years on the story of making it or not still rings true... Attention surely was paid by the theatre goers last night...

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