Scenes from Leicester Square Tube Monday 22:28




A religious service was operating on the Piccadilly Line this evening... In the name of the father, the SPAD and TfL, one got home safely...

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The agony and the ecstasy: Cadel: Lungs on Legs at Riverside Studios @cadeltheplay

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Cadel comes with a subtitle, “lungs on Legs”, which is what Cadel Evans, Australia’s only ever winner of the Tour De France, was referred to as. Connor Delves, who co-wrote and devised a 70-minute sprint through the pain and glory behind this win, could be called lungs and mouth on legs. He cycles, he emotes, he sweats, he spits and collapses on stage.  He spares no pain in this brisk and thrilling account of a sporting victory that was never certain. Even if you know little about the sport, you feel that you’re there struggling up the mountain for a photo finish. It’s currently spinning at Riverside Studios after playing at the Edinburgh Fringe.  Delves performs (and pedals) on a 2011 yellow bike, the same model that Cadel Evans won the Tour on. Watching the piece, it’s hard to work out where the performer ends, and the subject begins. Delves doesn’t look like Cadel, as the footage of the real one at the end of the show shows, but you feel he's captured the man’s essence in ...
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Fantasies: Afterglow @Swkplay

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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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