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Iron Maidens: Iron Fantasy at Soho Theatre

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Two women chase the elusive six-pack in Iron Fantasy, only to embark on an unexpected journey exploring what it truly means to be strong in today’s world. In a culture that demands visible strength and power, they subject themselves to lifting, protein powder-guzzling, and raw-egg drinking. Interestingly, consuming raw eggs elicited many squeamish reactions from members of the audience. None has obviously been to Cabaret to see Sally Bowles guzzle prairie oysters. But in the search for the attributes that make someone strong, a little more is revealed about being a young woman in the modern world. And that strength comes from a number of ways. It’s currently playing at the Soho Theatre .  It’s part performance, part musical, and part interviews, as writer-performers Shamira Turner and Eugénie Pastor, who make up the theatre performance duo She Goat, don a variety of silly costumes and play a range of musical instruments on their journey researching strength, fighting, and pumping i...

Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays. 

The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using whatever means necessary. Their pamphlets were a frank and direct appeal to the German people to resist the regime. When caught, they were subject to a show trial and executed by guillotine.

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The songs in the show attempt to capture the mood of the young students in the piece. It feels like a Spring Awakening for the undergraduate generation. While some may find that this slows the action, this is not necessarily bad. The performances, particularly by Collette Guitart and Tobias Turley as Sophie and Hans Scholl, are also admirable. 

But too often, the characterisation is two-dimensional, which kills the dramatic tension. While most shows about the Second World War staged in London seem to do the same, that doesn’t mean they are particularly watchable. And given how intriguing the real-life stories of the characters were and how their attempts to appeal to others got under the regime’s skin, it seems like a missed opportunity. 

The somewhat generous space of the Marylebone Theatre may not help here either, as you feel detached from the action that a more intimate space would not allow you to do. 

Directed by Will Nunziata, White Rose The Musical is at the Marylebone Theatre until 13 April. 

⭐️⭐️⭐️

Photos by Marc Brenner


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