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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

The brown word: Death on the Throne @gatehouselondon

Production poster

We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse.

The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife.

And so begins a puppet battle for the afterlife, adjudicated by an expert in dying on the throne, Elvis. Along the way, there is a visit from the Queen, Margaret Thatcher and the former East German leader Erich Honecker. And a lifesize version of Gandhi who says things that are borderline bizarre or offensive. It’s often a combination of random ideas mixed with random world leaders. Depending on your thoughts on German / English politics and toilet humour, you may enjoy it way more than you should. 

Accompanying the action are a series of songs written by German pop-composer Tobias Künzel and Mark Underwood. Künzel has previously written children’s musicals; and this one seems like a smuttier, poppier version full of non-sequiturs and toilet humour. Whether this show is the sort of show that will have long runs in the fringe is debatable, but it’s bonkers enough to develop a following of sorts. Just don’t think about it too much. 

Directed by Blair Anderson, Death on the Throne is Upstairs at the Gatehouse until 13 April. 

⭐️⭐️⭐️

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