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Same but indifferent: Laughing Boy @JStheatre

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Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre .  Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he
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Scenes from Embankment Tube 22.58. A quiet night underground... 
Technology and the thoroughly modern lifestyle Today it occurred to me that between my flatmate and I we have 3 televisions 3 VCRS 3 dvd players / burners 2 computers 3 digital cameras Its a lot of junk to have... Not to mention the PDA and the iPOD. All this technology reminded me of being in Fopp yesterday (which is a great music, dvd, books and record store) and heard a new track from Daft Punk's latest album - Human After All "technologic": Buy it, use it, break it, fix it, trash it, change it, melt - upgrade it, charge it, pawn it, zoom it, press it, snap it, work it, quick - erase it, write it, get it, paste it, save it, load it, check it, quick - rewrite it, plug it, play it, burn it, rip it, drag and drop it, zip - unzip it, lock it, fill it, curl it, find it, view it, curl it, jam - unlock it, surf it, scroll it, pose it, click it, cross it, crack it, twitch - update it, name it, read it, tune it, print it, scan it,
TV: The return of Dr Who Last night while I was off at the National, I did set the VCR to record the return of Dr Who. Naturally fans gathered to mark Doctor Who comeback . Although not a fan, any show that features a man-eating wheelie bin can't be all that bad...
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Scenes from Tottenham Court Road Saturday 3pm. Scientologists and Protesters collide outside their main shop (for non celebrities) in London. And I have to walk past this every day... A few police were on hand to make sure it was all kept civil...  
Theatre: His Dark Materials Part II Snapped up a front row seat to see His Dark Materials Part II at the Olivier theatre. Based on the stories of Phillip Pullman, they have turned it into two three hour plays that cover epic journeys, religion, morality, good and evil and so on and so on... I figured Part I may have covered a lot of exposition in its three hour length, and so the three hours of Part II may have been more about the action. It actually doesn't work out like that ( given both parts have different stories to tell ) but anyway. Sitting in front row meant that as the stage rose and sunk and moved around you did tend to miss out on the action, but you also got the sense at times you were part of the action. It was quite a spectacle and something that really used all the tricks of the Olivier Theatre. Even more of a spectacle were some of the actors and puppeteers, (although that has less to do with the overall appeal of the show and more about my personal taste)... It wa
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Scenes from Skanky London: Centre Point plaza at Tottenham Court Road Saturday afternoon... 
Monster music on Good Friday: St Matthew Passion Caught the (near) sell out concert of St Matthew Passion with the City of London Sinfonia and BBC Singers last night. Richard Hickox conducted, and the Evangelist was played by Tom Randle who was superb. The first time I had seen someone treat the role as though it was retelling a drama and not reciting an oracle (although the music at times does tend to lend itself to being the latter). At three hours in length however it is a marathon effort - for the performers and the audience. It is one of those pieces that can work really well or fail spectacularly. I was in a performance of the latter once, so it was nice to see the former happen last night. For those in the audience that didn't feel like DVT was setting in, they rewarded the performers with a raptuous applause. They had definitely earned it, and you could sense the relief in the faces of the orchestra members and chorus that it was over. They certainly earned their performa