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Showing posts from September, 2016

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Grief and fluff: Tiger @OmnibusTheatre

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Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre . It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next.  We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet.  Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking

Hairography: Vanities: The Musical

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  The secret of lasting friendships is really about having the correct fitting wig. Well, I think that's what it is after catching Vanities: The Musical. It's a musical valentine to soap opera dramatics and retro hair styles currently playing at  Trafalgar Studios . The show is given a heavy injection of talent with the performances by its three leading ladies. While this makes it very watchable, you are left wishing there was just something more in the material.

Sweat shops: The Great Divide @Finborough

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  The Great Divide uses the worst industrial accident in history as the backdrop to explain the lives and times of some of the workers who lived and perished in the Triangle Shirtwaist Factory fire.  It is playing on Sunday, Monday and Tuesday at the  Finborough Theatre  until 20 September.  What is exciting about Alix Sobler's piece is how fragments of stories comes together to tell a much bigger one about immigration, dreams and unionisation against the backdrop of the deadliest workplace disaster in American history.    The Triangle Shirtwaist Factory was on the lower east side of Manhattan located on the top floors of an 11 storey building. Most of its workers were migrants working for low pay and long hours. The custom and practice in factories was to lock doors and limit exits to prevent theft. Smoking was banned but people did anyway.  So when fire broke out on 25 March 1911, the combination of flammable materials and no means of escape let to a fire of such intensity that

Eat your young: Unfaithful @found111

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The central message from Unfaithful by Owen McCafferty is that it is still an older persons world. The older generation is screwing the younger generation over and over. They get the early retirements, they clinched Brexit, and they get free TV licences. All at the expense of the younger generations who will pay for it. And here those youngsters are also fair game for sex. For fifty-something couple Tom and Joan, it’s too late to do anything else. They are stuck with each other. But the play opens with Tom confessing that he had a sexual relationship with a younger woman. So Joan seeks revenge sex by hiring a male escort. Meanwhile Tara is bored working at the checkout at Tescos and her frustrated her partner Peter - a male escort - doesn’t have a day job. And thus begins this four hander about relationships. It is full of dirty talk about eating this and fucking that. But mostly it is middle-aged sex fantasy and I suspect an excellent show to catch if you’re over fifty. For

Mad about the boy: Britten in Brooklyn @wiltonmusichall

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Britten in Brooklyn currently playing at Wilton’s Music Hall is a good looking production. But the trouble with a piece about artists at their least artistic period of their lives is that not a lot happens. In the end you feel as if you have been watching Celebrity Big Brother, without the cheap thrills of seeing anyone being a cat ... Or getting confused about which David died . At the height of the Second World War, Benjamin Britten takes off to America, avoiding conscription and the conflict in Europe. He stays in Brooklyn in an artistic commune with his friend poet WH Auden. Writer Carson McCullers and Gypsy Rose Lee are also staying there. I was half-expecting an evening of debauchery and creativity. But it was mostly introspection. Still upset over the death of his mother and reception of his works in England, Britten is seeking solace from all that. He also is coming to grips with his homosexuality, budding relationship with Peter Peers and his pacifism.