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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Space for reflection: Dark Sublime @Trafstudios

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Cult eighties television is the launch pad for looking back on a life sort-of lived in Dark Sublime. A long but rewarding look at how trivial and inconsequential things can end up being so much more. In this case, a crap science fiction show alters the space-time continuum with enduring rewards, and a chance to reflect on a life well lived so far. It’s currently at Trafalgar Studios . Marianne (Marina Sirtis) is a serious actress who reached fame with a London Television science fiction show, Dark Sublime. Full of cheap effects and overacting, it was a minor hit when it aired in the eighties and since developed a cult following. Her television work gave her fame and paid for the mortgage. Nowadays, she makes ends meet with random jobs that pay for her penchant for cheap wine at Tesco. But a young man with a childhood obsession for Dark Sublime (Kwaku Mills), tracks her down for his fan website. Their meeting leads to a moment of reflection of where she is in her life, a