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Showing posts with the label Ulrika Krishnamurti

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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the
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Digging in: Checkpoint Chana @Finborough

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What do you do when you're a successful poet accused of semitism? How do you avoid the social media storm and the calls for an apology? These are the thoughts that come in Checkpoint Chana by Jeff Page. It's having its premiere at the Finborough Theatre following a reading at Finborough's Vibrant 2017 festival. It starts with Bev (Geraldine Somerville) complaining to her assistant Tasmin (Ulrika Krishnamurti). She has to write an apology  after one of her poems sets off a social media firestorm. It’s been labelled anti-Semitic after every other recent poem of hers has been ignored. The indignity of a respected poet needing to do this is compounded by problems in her personal life and pressure from her university. But she eventually relents to making an apology, and having a sympathetic interview scheduled. She’ll even do a talk at a North London arts centre.  Somerville is convincing as a person caught up in the drama that’s part of their own creation. But often the work s
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