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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Life lessons even for vegetarians: The Winners Curse @parktheatre

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A play about the process of peace negotiations and negotiation theory might sound like a dreary way to spend the evening unless you’re already a student studying this stuff. But Daniel Taub’s play, The Winner’s Curse, has enough bad jokes and entertaining performances to give you some sense of the goings on, haggling and bargaining on the international stage. Whether it’s a play or an attempt at edutainment is another matter. It’s currently playing at Park Theatre . The title comes from the scenario where the winner ends up paying more than what the item they have won is worth. And in negotiations winning isn’t the most optimal outcome. And so, during the evening, we are given a demonstration of this against a fictional Eastern European peace negotiation process.  Clive Anderson, the former negotiator for a fictional country, is accepting an award and looking back on his career. Then we go back to his early days in understanding the process. Part dramatised with his younger self pl...