Posts

Showing posts with the label Alexandra Mardell

Featured Post

Sleight of hand: The Fabulist @charingcrossthr

Image
Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Love and Marriage: Mad As Hell @JSTheatre

Image
The life of Peter Finch is forever intertwined with his final film role in Network. Being ”mad as hell” is the topic of this play, Mad as Hell currently showing at the Jermyn Street Theatre .  In Network, Finch plays Howard Beale. He transforms from a mild mannered news anchor at a struggling television network to a modern day prophet. Tired of reporting the bullshit of the world he urgess his viewers to get “mad as hell”. The story has enough relevance today to warrant a exciting reimagining at the National Theatre. Here writers Adrian Hope and Cassie McFarlane, imagine the character Finch plays has many parallels with his own life. A hard living angry man tired of the bullshit that goes with being a celebrity. He finds solace with a woman who helps him escape and live a normal life. It’s also a sensitive tale about a mixed race marriage in a time of tremendous change.  McFarlane took inspiration from her mother’s retelling of the story. This includes the Jamaican reaction to Finch’s