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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Me too thirty years ago: Masterpieces @Finborough

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Long before the #metoo movement called out sexual harassment (and worse), there was Masterpieces by Sarah Daniels. But instead of wearing pink hats or marching, one of the characters pushes a man under the tube.  It’s having its first professional London production in 35 years at the Finborough Theatre . It’s an opportunity to see if the arguments of thirty years ago hold insight into the ones of today. In many ways they do. In others they don’t. The play presents three women living as second class citizens in a first world country. There’s earnest social worker Rowena (Olivia Darnley), her mother (Sophie Doherty) and her friend Yvonne (Tessie Orange Turner).  Set in the era when sex cinemas were part of the West End fabric, on one level it feels quaint with its approach to pornographic magazines. Studies on the effects of pornography have been inconclusive. But here they’re seen as the source of violence and men’s power over women. The men in the piece are either lecherous or ignorant