Featured Post

A little less conversation: After Sex @Arcolatheatre

According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre .  He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it

Me too thirty years ago: Masterpieces @Finborough

Long before the #metoo movement called out sexual harassment (and worse), there was Masterpieces by Sarah Daniels. But instead of wearing pink hats or marching, one of the characters pushes a man under the tube. 

It’s having its first professional London production in 35 years at the Finborough Theatre. It’s an opportunity to see if the arguments of thirty years ago hold insight into the ones of today. In many ways they do. In others they don’t.

The play presents three women living as second class citizens in a first world country. There’s earnest social worker Rowena (Olivia Darnley), her mother (Sophie Doherty) and her friend Yvonne (Tessie Orange Turner). 

Set in the era when sex cinemas were part of the West End fabric, on one level it feels quaint with its approach to pornographic magazines. Studies on the effects of pornography have been inconclusive. But here they’re seen as the source of violence and men’s power over women. The men in the piece are either lecherous or ignorant.

But on the other hand, part of you makes you wonder if this piece was about now, how much would change? For every platitude about narrowing gender pay gaps and breaking the glass ceiling, there’s a story about a gang rape acquittal.

And while the medium may have changed, the messages seem similar. Online porn has usurped the prevalence of Girlie magazines. Unwanted dick pics are the new catcalling. What was once overt is now covert. And potentially more dangerous. 

The structure of the piece with its flashbacks and many characters is jarring at times. But what emerges is a powerful story about women who take different paths to deal with male dominated world.

Verity Quinn’s production design plasters a range of girlie magazines on the wall with a plastic curtain that makes it feel like you’re in an abattoir. In some ways we are.

Directed by Melissa Dunne, Masterpieces is at the Finborough Theatre until 19 May.


Photos by Bill Prentice

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre