Paul in London

Insignificance at the Arcola Theatre takes four famous people from the 1950s and puts them in a hotel room. Is it a nostalgia piece or is there a deeper meaning? Written by Terry Johnson, it’s having its first revival in over twenty years. In the second act, the senator (meant to be Joeseph McCarthy) talks about how heroes, geniuses and stars serve as a convenient distraction. It’s also tempting to see parallels with the present day. Thirty five years ago it was the Reagan era and the threat of nuclear war from a trigger-happy b-movie actor-president. In the intervening years there have been desert storms, coalitions of the willing (with or without poodles). In the future maybe there’ll be a battle between little rocket man and the oversized Oompa Loompa. Horrible stuff happens. And the heroes, geniuses and the celebrities exist just to make us feel there’s hope.

Cargo at the Arcola Theatre is a thrilling and evocative account of the plight of refugees with a twist. A delicate blend of fact and fiction, the piece by Tess Berry-Hart conjures up a dystopian world that just might be around the corner for us... And this makes it a powerful statement on how both our values as a society and how we view refugees. The box office kindly suggests that as it is ninety minutes straight through, you might want to have a drink with you beforehand. Most people in the audience seemed to go for beer. But we have been having a heatwave in London. So I went for water and guzzled half of it before even getting to the downstairs theatre. Walking into the studio space transformed into a giant shipping container. Max Dorey's inspired design makes you feel as if you are the cargo. And as the show begins an usher slams the door shut and you're plunged into darkness. This is the second outing to the theatre where the production puts you in a confi...