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Showing posts with the label Jill McAusland

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Sex, violence and caviar: Men's Business @finborough

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Life's a dog in Men's Business. It's a nasty, cruel life where amongst the banality of everything, love, or something resembling a bit of it, exists out of a butcher's shop. And in between feeding dogs or chopping up offcuts of meat to sell as pet food, there's always time for sex and violence. The play gets into these dark and disturbing themes, inviting the audience to immerse themselves in this claustrophobic world. It's not a pleasant night at the theatre. Still, the intensity of the piece in the confined space of the Finborough Theatre and the exploration of these ideas make for an engrossing experience.   This is a new translation by Simon Stephens of Franz Xaver Kroetz's work. Initially published in 1972 and would later be expanded in the piece Through The Leaves, the action is set in a butcher's shop.  We're introduced to Charlie (Lauren Farrell), who inherited the shop from her father. Family don't seem to be around anymore. All she has...
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Bleak house: The Moor @ORLTheatre

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The scene is set for a moody mystery when you enter the Old Red Lion Theatre to see The Moor. It’s a lmost as if you can feel the peat bog as you take your seat.  A girl is bent over a chair as you enter the theatre. Is she crying? Has there been a crime? Bronagh (Jill McAusland) and her boyfriend Graeme (Oliver Britten) go out for a party across the moor. The next day they discover a man they met that night is missing.  From the outset you understand that Bronagh is terrified of her possessive and abusive partner. But she is also grieving over the recent death of her mother, and suffering post-natal depression.  Did a man disappear and did her boyfriend have anything to do with it? McAusland is engaging as the trapped and confused Bronagh.  Amongst all her dreams and mad stories about elves, is something sinister really at play? As her account of events becomes confused and contradictory, you’re not sure if she saw or took part in a potential crime.  Unfortunat...
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The fog of war: Correspondence @ORLTheatre

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Boys on Xbox, the crisis unfolding in Syria, a disappearance and a psychotic episode. It all happens in Correspondence, currently playing at the Old Red Lion Theatre . It's at times thrilling but its also a bit bewildering. Flicking through the programme twenty minutes into Correspondence, I read the note about psychotic symptoms. It seemed a little odd as until that point it seemed like this piece was about two boys on Xbox. One who just happened to be in Syria. But soon we're exploring mental illness. There is so much going on here that it is hard for the piece to get focussed on any of its broad themes it's exploring in its ninety minute duration.
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