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Showing posts with the label Marlene Sidaway

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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Common divisions: Returning to Haifa @Finborough

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The stage adaption of Ghassan Kanafani’s Returning to Haifa by Ismail Khalidi and Naomi Wallace is fiery and emotional. It’s having its world premiere at the Finborough Theatre . The piece puts you in the living room of a family who had to flee the city of Haifa in 1948, and the family that subsequently occupied it.  The injustice of finding your own home and your belongings legally occupied by someone else is only part of the anger in this piece. It also extends to the staging of it. The programme notes that it was due to have it’s world premiere by the New York Public Theatre. But political pressure from their board led to the proejct being abandoned.  But New York’s loss is London’s gain. Even if you’re unfamiliar with the events you begin to understand it. It humanises enemies and explains motives. And the sensitive portrayals by the ensemble add to emotional impact. The piece crosses three separate time periods. It opens before the dispossession in 1947. Then the period o...