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The moron premium live: The last days of Liz Truss @WhiteBearTheatr

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Watching a play about Liz Truss, Britain's shortest-serving Prime Minister, might seem as appealing as dental surgery. After all, you may be dealing with the repercussions of her fifty-day leadership, such as higher mortgage rates. You might also be familiar with the term "moron risk premium," coined by an economist to describe the impact of having Truss and Chancellor Kwasi Kwarteng in charge. Consequently, revisiting this time in 2022 may not seem like an enticing subject for a theatrical production. However, writer Greg Wilkinson’s unique portrayal of select aspects of Truss’s life, alongside a standout performance by Emma Wilkinson Wright, makes this a compelling work. While Wright doesn’t physically resemble Truss, she delivers a performance that captures her mannerisms, awkwardness, and platitudes. The play is currently at the White Bear Theatre . Presented as a monologue, Wright performs at a desk, on it, or even in a chair while singing karaoke—one of Truss's ...

Stompin' at the Palace: This Joint Is Jumpin' @theotherpalace

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In the basement space of The Other Palace there's a whole lot of jumpin', stompin' and jazzin' going on. It is not so much a theatrical piece but homage to the great jazz legend Fats Waller. The artists pay tribute to the life and music of Fats Waller through song, dance and a small and largely insignificant plot device. But it's the music making that will leave you with the lasting impression. There's music director and co-creator Michael Mwenso’s cool jazz vocals which combined with his band The Shakes are a sensation.  Mathis Picard’s on the piano, Ruben Fox on tenor sax and Mark Kavuma on trumpet each have some terrific moments. But the highlight is the London debut of Broadway legend Lillias White . She is the cats pyjamas with her charm and ability to give meaning from the seemingly most insignificant lyric.