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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Washing the red pills down with the kool aid: Angry Alan @sohotheatre

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There's a warning at the start of Angry Alan.  It's to alert you that some of the videos used in the production are available on Youtube. The ever-reliable platform for pop culture references, unsubstantiated conspiracy theories and hate speech. All three come together here to show how effective social media is at radicalising and over-amplifying the darkest corners of the internet. It's currently playing at the Soho Theatre . We meet Roger (Donald Sage Mackay). He was a high powered executive once. But now he's working at part time at a supermarket,  bothered by his ex wife.  and his girlfriend is studying feminism at community college. But one day while wasting time on the internet with click bait he finds a video that points out how awesome men are. Published by a man by the name of Angry Alan.  Soon he's going down the rabbit hole of the Men Going Their Own Way movement (or MGTOW). A movement which argues marriage fails in the cost benefit analysis . N...

Privileges and power: White Guy On The Bus @Finborough

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It’s always grim in Philadelphia in White Guy On The Bus. It’s a sharp, insightful and unsettling piece to remind us that race, power and inequality loom large over everything that happens in America. Or even here. It’s currently playing at the Finborough Theatre . It opens with what appears at first to be a series of lectures among two white couples about unconscious bias and latent racism. They’re on the lawn of a lovely house in Philadelphia. It seemed as topical as the aftermath of a recent Quentin Letts review . But that’s just a starter to what writer Bruce Graham really wants to tackle. The piece zeroes in on the divide in Philadelphia between low income blacks and the well-off white communities. The two remain separate and unequal. Philadelphia may be edgier than other parts of America, but it’s a story that applies anywhere. London too given the growing incidence of gang violence.   The play focuses around Ray (Donald Sage Mackay - in his London Theatrical debut). He works...