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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Lady be good: Jonathan Holloway's Jekyll and Hyde @JekandHydeUK

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Jekyll and Hyde is a thoughtful gender reversal of this classic tale with some seriously atmospheric theatrical tricks up its sleeve.  The piece adapted by writer director Jonathan Holloway has already been to London (albeit in a shortened form) in an equally interesting and shocking production . Here things are fleshed out a little more and are infused with some pretty impressive production values for a fringe production, which is a co production with Hong Kong’s Chung Ying Theatre Company.