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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Ice cream and other treats: She Loves Me @LandorTheatre

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It has been a week since I caught She Loves Me at the the Landor Theatre, but there is something so sweet, perky and fun about this show that it lingers with you long after you have seen it. Perhaps the terrific cast headed by Charlotte Jaconelli and John Sandberg helps. There is so much enthusiasm in the performances that you can't help but like it. It is a show about mistaken identity, scandal and intrigue. The story revolves around a little shop in Budapest and two of its employees. Although they are constantly at odds with each other, through a personals advertisement, they inadvertently become anonymous pen pals. Soon romance starts to develop. The work is based on a play by Miklos Laszlo that would become The Shop Around the Corner and the inspiration for such films as You've Got Mail.