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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Ice cream and other treats: She Loves Me @LandorTheatre

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It has been a week since I caught She Loves Me at the the Landor Theatre, but there is something so sweet, perky and fun about this show that it lingers with you long after you have seen it. Perhaps the terrific cast headed by Charlotte Jaconelli and John Sandberg helps. There is so much enthusiasm in the performances that you can't help but like it. It is a show about mistaken identity, scandal and intrigue. The story revolves around a little shop in Budapest and two of its employees. Although they are constantly at odds with each other, through a personals advertisement, they inadvertently become anonymous pen pals. Soon romance starts to develop. The work is based on a play by Miklos Laszlo that would become The Shop Around the Corner and the inspiration for such films as You've Got Mail.