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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Old doge: I Due Foscari @TheRoyalOpera

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The Royal Opera's production of I Due Foscari which opened last week is a chance to see Plácido Domingo in an age-appropriate role. Verdi's opera is intriguing for its use of leitmotifs for each of the principal roles, but lacks much dramatic fire, other than to see the predictable  tragedy of an ageing ruler weakened and lose everything. Thankfully it is short but it is also give much more interest with some star power and seems a perfect vehicle for Domingo. When his voice was at his strongest, you could also be forgiven for thinking he was back in tenor territory with its rich and bright sound. And at 73, it is an event to watch see such an experienced master at work.