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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Game play: Lamplighters @ORLTheatre

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The world of spies as depicted in John Le Carre novels seems to be an unlikely source of amusement. All that drinking, bureaucracy and lying. But in Lamplighters it’s really a backdrop for some inspired improvisation and audience participation.  Led by Neil Connolly as the spymaster, he’s living out a childhood dream to play spies... With a bunch of random audience members.  It’s an immersive theatre experience. Which means that when you enter The Old Red Lion Theatre you can expect to be part of the entertainment.  But only if you want to.  After he’s finished chatting you up at the start (and sizing you up), there’s a slightly unconvincing mystery to solve, villains to find and stop. And a secret briefcase. And he needs the help of the audience to make it happen. And get laughs. This concept works well in making the ordinary seem hilarious. Assuming there’s always the right balance of weird and adventurous audience members to make the show hilarious every night.  On my night the aud