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Showing posts with the label Scott Garnham

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Sex, violence and caviar: Men's Business @finborough

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Life's a dog in Men's Business. It's a nasty, cruel life where amongst the banality of everything, love, or something resembling a bit of it, exists out of a butcher's shop. And in between feeding dogs or chopping up offcuts of meat to sell as pet food, there's always time for sex and violence. The play gets into these dark and disturbing themes, inviting the audience to immerse themselves in this claustrophobic world. It's not a pleasant night at the theatre. Still, the intensity of the piece in the confined space of the Finborough Theatre and the exploration of these ideas make for an engrossing experience.   This is a new translation by Simon Stephens of Franz Xaver Kroetz's work. Initially published in 1972 and would later be expanded in the piece Through The Leaves, the action is set in a butcher's shop.  We're introduced to Charlie (Lauren Farrell), who inherited the shop from her father. Family don't seem to be around anymore. All she has...

In jokes: Jest End @Waterlooeast

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It's only on until Sunday 5 December, but Jest End at the Waterloo East theatre is a bit of a guilty pleasure of fine singing and silly musical send ups. Billed as London's answer to Forbidden Broadway, the show takes barbs at various successful (or not quite successful shows), social media obsessed actors and low pay. You don't need to be a musical theatre aficionado to enjoy the silliness of it all. But it probably helps... Particularly as many of the in-jokes are ripped from local news headlines, gossip and sending up themselves...

Comings and goings: Grand Hotel @Swkplay

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Nothing stays still seems to be the key message in this breathtaking new production of Grand Hotel at the Southwark Playhouse . It is constantly moving and the performances, music, singing and dancing combine in what is probably as close as is humanly possible to musical theatre perfection. The musical tells the story of a series of characters from a guided age that feel like they are from an alien world on one hand, but on the other you can’t help see some relevance to the current age of austerity, economic and political refugees and rage against the one per cent .