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False alarms: Diagnosis @finborough

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Nobody likes Cassandra, and like the Trojan princess who was given the gift of being able to see the future but cursed so that nobody would believe her, the woman at the centre of this piece could see into the not-too-distant future. She can see that disaster is about to strike. But she’s dismissed as a vulnerable, crazy lady who maybe had a bit too much to drink. This is the premise of “Diagnosis,” currently playing at the Finborough Theatre , written and performed by Athena Stevens.  You enter the Finborough under surveillance. The camera is pointed at the audience, and it soon becomes clear that we are somewhere in the not-too-distant future in London. A city where surveillance already abounds so we can capture all sorts of crimes taking place (albeit not in ultra-high definition).  In the future, every police station will record interviews with an audience with “vulnerable persons” involved. This is to ensure no police misconduct occurs. A police officer (Ché Walker) is in...

I'm OK you're OK: Death Row Cowboy @CourtyardHoxton

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Death Row Cowboy , which has just finished a short run at the Courtyard Theatre is a gritty and realistic piece of writing that leaves you wondering if it was based on a real life incident. But of course if that were the case there would need to be a different ethnic makeup of the cast, given that the majority of inmates on death row  are not white... But real life is less important than the character study of the three key people in the piece. Carl, who is on death row, prison officer Bobby and a police officer’s widow Hillary. It is written by Andrew Lynch and Mark McCabe who play Carl and Bobby and serves as a vehicle to explore some intriguing themes on relationships, loneliness, love and regret.