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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Tight spots: Lardo @ORLTheatre

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It is not often you get to go to the theatre and get an eyeful of spit, blood and tight-fitting Lycra. But this is the case in Lardo, now playing at The Old Red Lion theatre . It’s a descent into the subculture of Scottish wrestling, its characters and violence. It is also an immersive experience. Entering the Old Red Lion theatre is like entering into the world of insane wrestling. The performance space is a wrestling ring, the Scottish flag and walls smeared with muck and graffiti.   There are real stunts and some pretty nifty moves. Audience participation is a given. You will find yourself shouting and booing (whether you really wanted to or not). And even when the play feels like it is losing momentum there is always the next wrestling match that will save it.