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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

The fog of war: Correspondence @ORLTheatre

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Boys on Xbox, the crisis unfolding in Syria, a disappearance and a psychotic episode. It all happens in Correspondence, currently playing at the Old Red Lion Theatre . It's at times thrilling but its also a bit bewildering. Flicking through the programme twenty minutes into Correspondence, I read the note about psychotic symptoms. It seemed a little odd as until that point it seemed like this piece was about two boys on Xbox. One who just happened to be in Syria. But soon we're exploring mental illness. There is so much going on here that it is hard for the piece to get focussed on any of its broad themes it's exploring in its ninety minute duration.