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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Cattle class: Dubailand @Finborough

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There is a line in the play Dubailand about all the astronauts around the world looking down and seeing people in Dubai. The implication is they will see these masters of the universe. Labourers earning loads of money. Expats in offices making a bundle. But they will see tiny people of insignificance. That's the point of the play. Whether you're a labourer or marketer, you're all the same. You're second or third or fourth-class citizens. And don't forget it. The play by Carmen Nasr is running at The Finborough Theatre on Sundays Mondays and Tuesdays. It was first performed there as a staged reading in 2015.