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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Theatre: The Flying Karamazov Brothers

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Friday night, half way through the second act of the Flying Karamazov Brothers when lead Karamazov (Paul Magid) was trying to say something funny, a lady in the second row staggers to her feet and interrupts saying for all to hear, "I just wahnt to saye that theeeshow is aabsolutely wahnderful". At this point Magid offers to give her a kiss. She initially declines announcing that her shoes are off (prompting the audience begin wondering if she was the owner of the shoes that were offered up for juggling in the first half of the show). Eventually she gets up, staggers up to the stage, gets a kiss and staggers back to her seat. It was random acts of humour throughout this show that made it all somewhat worth the while.