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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Theatre: The Flying Karamazov Brothers

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Friday night, half way through the second act of the Flying Karamazov Brothers when lead Karamazov (Paul Magid) was trying to say something funny, a lady in the second row staggers to her feet and interrupts saying for all to hear, "I just wahnt to saye that theeeshow is aabsolutely wahnderful". At this point Magid offers to give her a kiss. She initially declines announcing that her shoes are off (prompting the audience begin wondering if she was the owner of the shoes that were offered up for juggling in the first half of the show). Eventually she gets up, staggers up to the stage, gets a kiss and staggers back to her seat. It was random acts of humour throughout this show that made it all somewhat worth the while.