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Showing posts with the label Alexis Gregory

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Resilient streams: Safe @HackneyEmpire

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Titling a piece "Safe" at the moment evokes all sorts of meanings. Is it about going out in London? Is it about social distancing and testing? Is it about the latest vaccine? But don't one needs not have a pandemic.  Here, safe is about the basic need for young people to grow up in a safe and supportive environment. Particularly when they are discovering that they lesbian, gay, bi, trans or queer.  In this verbatim piece, writer Alexis Gregory weaves together a series of stories about the lives of young people and the fine line between being accepted and being on the street. The young people are trying to find their identity while their families, religion, race and class are forcing them to be categorised, classified and standardised into something else.  Taken from interviews with young people met through the Albert Kennedy Trust (AKT) with live music and additional words by poet Yrsa Daley it sets out how easy it can be to fall into poverty, abuse and addiction without
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Gay Gore: Sex/Crime @sohotheatre

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At a point early on in Sex / Crime, the lights go dark in a room covered in plastic with a rubber floor, and all you can hear are the screams. The mind is left to imagine just what pre-negotiated terror is unfolding. Until it becomes clear, nothing is happening, and we can all laugh. Part tease and part terror, the piece unfolds against a backdrop of gay fetishism and modern-day neuroses. It’s currently playing at the Soho Theatre upstairs. Written and performed by Alexis Gregory, he’s visiting a man with a specialism, who goes by the name of A (Jonny Woo). He provides a service of reenacting the works of famous gay serial killers for the right fee. Just the thing for a man who is bored with his life and searching for the next extra special thrill.  With the promise of experiencing what it was like to be a victim of one of these killers. Or as close as far as health and safety regulations allow. If gay serial killers and the people who fetishise them seems a queasy topic fo
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