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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
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Bleak house: The Moor @ORLTheatre

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The scene is set for a moody mystery when you enter the Old Red Lion Theatre to see The Moor. It’s a lmost as if you can feel the peat bog as you take your seat.  A girl is bent over a chair as you enter the theatre. Is she crying? Has there been a crime? Bronagh (Jill McAusland) and her boyfriend Graeme (Oliver Britten) go out for a party across the moor. The next day they discover a man they met that night is missing.  From the outset you understand that Bronagh is terrified of her possessive and abusive partner. But she is also grieving over the recent death of her mother, and suffering post-natal depression.  Did a man disappear and did her boyfriend have anything to do with it? McAusland is engaging as the trapped and confused Bronagh.  Amongst all her dreams and mad stories about elves, is something sinister really at play? As her account of events becomes confused and contradictory, you’re not sure if she saw or took part in a potential crime.  Unfortunat...
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Unfinished business: Continuity @Finborough @Continuityplay

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  It's an odd feeling to laughing along with man about plant a bomb... But such is the world you're drawn into with Gerry Moynihan's Continuity, currently at the Finborough Theatre . What's chilling about this this monologue is how it hooks you in to the story . Here the cause is taken as a given. Unquestioned, unflinching and ongoing... The Good Friday Agreement is the thin veneer of peace that conceals what's really happening on the ground. The ongoing rough justice, score settling and resistance that is largely unreported. The story involves Padraig (Paul Kennedy), a member of the Continuity IRA. He is dedicated to the cause. But after meeting a girl from Barcelona, he soon finds his colleagues questioning him  about his commitment. And he begins to wonder about it himself.
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