Posts

Showing posts with the label danielle hope

Featured Post

The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

Image
Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

High on the hills: The Sound of Music (uk tour)

Image
Watching  The Sound of Music  on tour is really an opportunity to indulge in comfort entertainment. As Maria and the Mother Superior in the stage production sing about crisp apple strudel in the early part of the first act you realise that it is a Pavlovian response to get all warm and fuzzy about the show. Apart from getting a taste for strudel it will have you recalling when you first saw the movie... Or first dressed up as Ray (a drop of golden sun) to the first singalong. Everyone did that right? This is probably a good thing, as take away fifty years of cultural repositioning the show is a bit of a non-event. Take away the film’s lovely Salzburg locations and the long lingering shots between the Captain and Maria, on stage you have the entire romantic plot condensed into a short speech by infant Gretel to Maria towards the end of the first act.