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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Where nobody's dared to go: Xanadu @swkplay

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Xanadu , currently playing at the Southwark Playhouse takes the format of musical based on a movie and sends it up mercilessly, but the high energy levels and sheer enthusiasm from this cast make it more than just a cheap show. Usually musicals based on a movie (or a jukebox) have source material that was loved or respected. Xanadu did not have that. It seemed to be a showcase Olivia Newton-John's limited acting (and dancing) abilities. The occasional cheap effect could not conceal that looked as if it was staged in a supermarket. And shot mostly at eye level meant that none of the dance sequences could really be seen anyway. Over the years it developed a cult following among those who appreciated it for being "so bad it is actually good”. It was also Gene Kelly’s final film so how bad could it really be?