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Showing posts with the label opening nights

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The moron premium live: The last days of Liz Truss @WhiteBearTheatr

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Watching a play about Liz Truss, Britain's shortest-serving Prime Minister, might seem as appealing as dental surgery. After all, you may be dealing with the repercussions of her fifty-day leadership, such as higher mortgage rates. You might also be familiar with the term "moron risk premium," coined by an economist to describe the impact of having Truss and Chancellor Kwasi Kwarteng in charge. Consequently, revisiting this time in 2022 may not seem like an enticing subject for a theatrical production. However, writer Greg Wilkinson’s unique portrayal of select aspects of Truss’s life, alongside a standout performance by Emma Wilkinson Wright, makes this a compelling work. While Wright doesn’t physically resemble Truss, she delivers a performance that captures her mannerisms, awkwardness, and platitudes. The play is currently at the White Bear Theatre . Presented as a monologue, Wright performs at a desk, on it, or even in a chair while singing karaoke—one of Truss's ...
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Back to theatre: Our Boys

The revival of Jonathan Lewis's play Our Boys at the Duchess Theatre poses some interesting questions about what happens to people who chose a career in the army. Given the events this week involving murder-suicide of an IRA bomb survivor , it also seemed unintentionally topical. The play is based on Lewis's own experiences although the subject matter is more about hospital treatments for pilonidal sinus than the military's role in Northern Island. But since this condition was also nicknamed "Jeep seat", it provides insight into a lesser known aspect of army life. This play is set in a London hospital ward in 1984 and is a largely funny and episodic account of a group of wounded squaddies who find themselves passing time while they recuperate together. This premise is a fertile ground for penis jokes, masturbation, sex dolls, and a healthy discussion about circumcision. Best of all is a restaging of the Russian Roulette scenes from The Deer Hunter where beer...
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Fragmented blood and lust: Written on Skin fires

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There was style, passion and violence going around in spades at the Royal Opera's premiere of George Benjamin's new work, Written on Skin ,  Friday evening. Directed by Katie Mitchell, it is a big lavish production where angels look down on the unfolding story based upon the old fable Le Coeur Mangé (The Eaten Heart). It is a story about a powerful protector who engages an artist to create a work to celebrate his life and in doing so awakens his submissive wife. Upon discovery of this infidelity he plots his revenge. It is a short piece of only ninety minutes with no interval, but it is perfectly formed. For an opera about despair and unlocking beauty the music is evocatively layered. There are no big arias and much wailing at times but bit by bit the music serves to build the drama and tension of the piece. By the time of the conclusion and act of revenge the production has taken you to another world of beauty and wonder.
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