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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

The best little warehouse in England: The Night Before Christmas @SWKplay

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If you’re not into the Christmas spirit, you might be into Christmas dust. It’s the joyful powder the little elves put everywhere and it’s addictive. And distracts you from the shitty life you’re having right now... Anthony Neilson’s dark anti-festive comedy is having its first revival at the Southwark Playhouse . Nothing’s off limits in this tale set in some out of town warehouse on Christmas Eve. Gary (Douggie McMeekin) has called his mate Simon (Michael Salami) for help. He’s caught some little bloke dressed up as an Elf trying to break in (Dan Starkey). He’s tied him up with Christmas lights and not sure what to do. But as they debate calling the police, a prostitute by the name of Cherry (Unique Spencer) comes calling. She’s after some Powers Ranger figures for her son’s Christmas present. It’s payment for the blowjob she gave Gary earlier. And nobody is sure if the Elf is who he says he is, or just a junkie trying to get his next fix. That pretty much sets the tone in this short,