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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Life goes on: Footprints On The Moon @Finborough

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  There's no place like home. Except when everyone around you wants to leave you and someone has scrawled your phone number on a wall of a dodgy bar. These are all important revelations in Footprints On The Moon. Canadian playwright Maureen Hunter's story of life in a small town is having its European premiere at the Finborough Theatre .  With its well-defined characters it's a fascinating insight into small-town Canadian life. It opens with Joanie ( Anne Adams ) sweating in a dress waiting at the station for her daughter to arrive back home. But even after writing a prize-winning essay about how fabulous life is in her small town things aren't quite what they seem. What becomes clear is that Joanie doesn't want anything to change and as her daughter grows up and wants to leave her world starts to fall apart. I Sharing the abstract set with Jam (with is running alongside this production) makes the audience have to work hard to believe that we're