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Showing posts from November, 2023

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Bit parts: Garry Starr Performs Everything @swkplay

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Garry Starr Performs Everything is a bare-bones (and bare buttocks) tribute to the theatre. Theatre may be in trouble, and audiences are down, but Garry Starr aims to save the theatre and bring back to the masses every style of theatre possible. As long as each style involves wearing a transparent white leotard or a skimpy thong. And tassels. It's part comedy, part physical comedy and part perv at Gary's physical prowess. The sentiment "if you've got it, flaunt it" applies here. So here we are with a show that has been around for some years and is having its first proper London run at the Southwark Playhouse (Borough) through Christmas. The premise is that Garry Starr (played by Damien Warren-Smith) has left the Royal Shakespeare Company over artistic differences. He is now on a mission to save the theatre from misrepresentation and worthy interpretations by doing things such as a two-minute Hamlet, recreating scenes from a Pinter play using unsuspecting audience
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Grief and fluff: Tiger @OmnibusTheatre

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Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre . It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next.  We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet.  Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking
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Axes to grind: Lizzie @Swkplay

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Arriving at the Southwark Playhouse Elephant , there are plenty of pigeons (real and otherwise) inside and outside the theatre.  Having not been there since it opened at the start of the year, I figured it was an art installation.  Little did I know that it was a crucial part of Lizzie, the hard rock, full-throated true crime rock musical.  Pigeons are solace from a stifling, oppressive life for an unmarried woman in 1890s Massachusetts.  And that is probably all the subtlety you'll get in this high-energy production.  It originated at the Hope Mill Theatre in Manchester and now makes a lot of noise in the Southwark Playhouse's basement venue.  Based on the trial of the century in 1890s Massachusetts, Lizzie Borden was acquitted of murdering her stepmother and father with an axe.  Over time, everyone believed she had done it.  There's even a nursery rhyme about her.  This piece is less interested in the whodunnit and more in the whyshedunnit.  Set to a driving rock score.  
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