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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Art in a dark moist place: David Breuer-Weil's Project 4

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David Breuer-Weil from Guy Natanel on Vimeo . London-based artist David Breuer-Weil has taken over the vaults under Waterloo Station with Project 4, an evocative and thought-provoking exhibition about the world, the apocalypse and other social and political considerations. Nothing is small scale here. Everything is big. Most of his paintings are two metres high and four metres long. One giant canvas follows another and as you are drawn into the tunnels under Waterloo Station, they come together to form an impressive spectacle of colour. Interspersed amongst these is Breuer-Weil's sculptures which give the works an added dimension and physicality. Many Londoners will be familiar with his works, particularly his sculpture. Emergence (see below after the jump) was temporarily installed into Hanover Square in 2012 and Visitor has previously been seen in Golders Hill Park, Hampstead.

(Silent) Opera: La Boheme

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As part of the Vault Festival , which transforms a series of interconnected tunnels underneath Waterloo Station into something theatrical and fabulous this month, I caught a packed production of La Boheme by Silent Opera with @Johnnyfoxlondon . Like other companies , Silent Opera is about taking operatic masterpieces and adapting them into modern settings. What makes them unique is that they tap into the iPod generation and use headphones to place the performers and the music in real life and odd spaces. The former National Rail plans and drawings archive must fit the latter. With a mix of levels, false ceilings, grimy floors and porta-loos, it is a far cry from the Royal Opera.