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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Tits and Teeth: Devilish! @LandorTheatre

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Strong performances and a marvellously silly premise can't overcome Devilish feeling not much of a guilty pleasure. Currently playing at the  Landor Theatre , the venue has been the home of a number of inspired (if a little rough around the edges) new works or fresh revivals of older ones.  With Devilish, an interesting premise did not lead to a particularly engaging show. The paper thin plot and various superfluous characters and songs made it a tough night. And for a show with cardboard characters, it takes itself a bit too seriously.

Reminder to get writing: The Adrian Pagan Award 2016

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The Adrian Pagan award is back for a third year. If you think you’ve got what it takes to address the state of the nation rather than reading random blogs on the interwebs, then this might be for you. The King’s Head are looking for directors, producers and creative teams to pitch plays that capture the current mood in an exciting, thought-provoking and entertaining way. Other than that, anything goes - new writing, revivals and musicals... They will take anything that pokes them the right way. The winning company will receive a full King’s Head production budget to produce their show at the venue. Applications are open until 31 July. To enter, you need to download an application from the King’s Head website and it by the deadline.