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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

The fog of war: Correspondence @ORLTheatre

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Boys on Xbox, the crisis unfolding in Syria, a disappearance and a psychotic episode. It all happens in Correspondence, currently playing at the Old Red Lion Theatre . It's at times thrilling but its also a bit bewildering. Flicking through the programme twenty minutes into Correspondence, I read the note about psychotic symptoms. It seemed a little odd as until that point it seemed like this piece was about two boys on Xbox. One who just happened to be in Syria. But soon we're exploring mental illness. There is so much going on here that it is hard for the piece to get focussed on any of its broad themes it's exploring in its ninety minute duration.