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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Previews: It curtains with Ron Arad’s Curtain Call this summer

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Bloomberg Summer at The Roundhouse returns for its fifth year this August with Curtain Call by architect and designer Ron Arad. It is a return performance of this piece after its original outing in 2011. This time around Arad will reinvent the curtain experience by inviting new collaborators to work with him on the 360° immersive installation, alongside returning artists from 2011. The work will be showcased at the Roundhouse from 6 – 29 August 2016.

Architecture and Art: Summer Pavilion at the Serpentine

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This year's summer pavilion at the Serpentine Gallery is a hot noisy affair... Imagine a spaceship has landed in Kensington Garden (albeit one made out of wood) and is about to take off with various plant samples... While Peter Zumthor may have had in mind a tranquil garden and oasis from the rest of the park, in reality the noise is just amplified to unbearable levels with the hoards of people inside. And on a warm day it just feels so much warmer... Still the temporary concrete pathways leading to it are lovely. Tranquility is better found inside the gallery with Italian artist Michelangelo Pistoletto's exhibition  The Mirror of Judgement . It is  a meditation on religion and faith amongst cardboard and mirrors... It runs until 17 September and is worth a look... Free too...

(Open Air) Theatre: Hello Dolly

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Watching a musical in Regent's Park is always going to be a little tricky as the venue lends itself better to plays as the acoustics of the venue... Well there are none. Watching HMS Pinafore four years ago on a chilly drizzly August night did not make me keen on ever going back. Four years later however and on a perfect bank holiday Monday evening - warm and a gentle summer breeze - for Hello Dolly . Arriving at Regents Park I could feel some trepidation... It may have been something to do with running into a friend on the tube who enquired where I was off to. He thought that was hilarious and when he alighted at the next stop with his mates he shouted, "ENJOY WATCHING HELLO DOLLY!" before all of them broke out into an off-key version of "Put on your Sunday clothes" which trailed off only when the tube pulled out of the station. I remained on the train for another stop. Surrounded by manly men I could feel the glares... And the shame. Although most had got on ...

Overhead conversations of the summer...

Woman near Soho Square: I don't even say knickers any more; I just say, "get your daks off..." Homeless man on Oxford Street: I 'ope your 'ouse 'as been buuuurgled...

Movies: The Dark Knight

At the London Premiere... It's all about camera phones... Thursday night I crammed into a hot, sweaty cinema to watch the new Batman movie The Dark Knight . There is something about this dark, unrelenting film that people just wanna see. Perhaps it hits the mood of the times, even when it is so bright and hot outside. The Dark Knight was worth the discomfort of The Ritzy to see it, and probably one of the better comic book adaptations. It doesn't keep up the momentum to the end, and there is a sequence about the good of the people of Gotham that will have you want to yell out, "WTF???" But its visuals and Heath Ledger's performance are good enough reasons to see it. My only question would be, why does Batman speak like Patty or Selma Bouvier ? I am waiting for the cigarette tie-in...