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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the
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Still got it suckers: Chicago @Phoenix_Ldn

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Corruption, greed and murder never seem to go out of style in Chicago. The Kander and Ebb musical returns to the West End’s Phoenix Theatre after a six year hiatus.  It’s pretty much the same show that burst onto the scene in the late 1990s. Back even though it was a revival people saw it resonate with the trial of OJ Simpson. Twenty years on the President of the United States is purportedly a urophiliac. Hookers and porn stars paid off as fast as a the National Enquirer can catch and kill a story.  And you no longer have to be good or competent to rise to the top. Everything old seems new again.  And this show is still a hell of a ride. With the sexy costumes and choreography “in the style of Bob Fosse”, the show oozes sex, rhythm and sensuality.  If you’re not familiar with the show other than the gelded movie with Richard Gere and Catherine Zeta-Jones you’re in for a treat.  If you’ve seen it all before you can lie back and enjoy the performances by Sarah Soetaert and Josefina Gabr
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