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Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

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T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall.

The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery. 

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If the show settled on a convincing plot, location and set of characters, it could make a lot more sense. The musical numbers seem to be more about exposition and scene setting than anything else, and to borrow from another quirky musical, Urinetown, when Officer Lockstock tells Sally in the opening number, "You're too young to understand it now, but nothing can kill a show like too much exposition." 

Despite the show's shortcomings, the idea of a gentle plant yearning for a life beyond its pot is an amusing one. Co-writer, director, composer, and Potty Plant performer Baden Burns infuses the character with a sense of timing and sincerity that the rest of the show could benefit from. All Potty needs is a proper adventure. 

Directed by Baden Burns and with musical direction by Zach Burns, Potty The Plant concludes at Wilton's Music Hall on 28 June. It heads off to the Edinburgh Fringe again this summer. 

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